Will Kriski, a Canadian guitar teacher and internet entrepreneur has begun to add game mechanics to his online guitar coaching website thanks to the Gamification startup BigDoor. “This is just Phase 1”, Will says. “By using BigDoor’s MiniBar feature it was literally just a few minutes to get it up and running”.
Points, Badges and Leaderboards
By adding game mechanics to a website, people are able to check in, ‘like’ content, share content on Facebook or Twitter which earns them XP (experience points) and various badges. Influencers will earn points if other people click their links from Facebook and Twitter. Leaderboards show the rankings of point getters as a Top 10 or a relative leaderboard which keeps visitors from getting too discouraged by the top point getters.
Integrating Game Mechanics
“Phase 2 will take things to a whole new level, integrating game mechanics into the guitar lesson content itself.” Similar to a video game, students will progress through lesson content, gaining points and advancing through levels where they will be able to unlock ‘goodies’ such as free webcam lessons with Will, free video lessons and other awards.
“Virtual currency is another cool idea. Students will be able to either earn points to unlock new lessons or buy virtual currency with real dollars to save the time of getting the required points”.
Structure Learning Environments
“While there are a lot of free lessons out there on YouTube (Will’s free video guitar lessons have over 1.3 million views and 4000 subscribers) they are usually on a variety of topics with no overall structure. Using game mechanics, students can progress through a series of structured lessons like they would in a video game, known as levels.”
Will says that many students are used to a structured environment that video games provide, via game levels, and are also motivated by rewards, badges and leaderboards. “There is a lot of psychology at play here, so why not use it to help students to learn?”, asks Will. “Some people are able to study guitar knowing that in a number of years they will be able to play proficiently, but others need to be motivated by shorter term goals.”
If you go to Will’s Online Guitar Coaching site, you’ll see a ‘MiniBar’ at the bottom of the screen where you can check in, like pages, share content, check what badges you’ve earned and see how you rank in the leaderboard. It will be interesting to see the development of game mechanics with this site.
Go here to buy the Metal Mayhem course.
Go here to buy the Metal Mayhem course.
A fairly basic tapping exercise but it’s quite smooth sounding with clean technique. To master this technique in all its variations check out Finger Tapping.
To master this technique go here Finger Tapping.
Go to the free bluegrass guitar lick for the tab.
It was cool to see the world’s largest online guitar lesson being streamed live on LiveStream recently. Not much specifics here so I’ve posted my own Steve Vai lesson below this video:
Feel fee to check out my other YouTube lessons or consider webcam guitar lessons with me.
Jazz blues is a modified version of the ‘regular’ 3 chord I-IV-V blues. It can be scary and intimidating at first as there are more chords and often unfamiliar keys. So a 12-bar Bb jazz blues will look something like this (there are many variations):
Bb7 / Eb7 / Bb7 / Bb7
E7 / E#dim7 / Bb7 / G7
Cm7 / F7 / Bb7 G7 / Cm7 F7
The last four chords are 2 per measure. Here’s a PDF of the progression to give you a better idea.
With jazz we have to be a lot more aware of the underlying chords since many of our blues/rock licks won’t work too well. I think this is why we have so many problems with jazz, is a general lack of awareness of how to play over chord progressions, other than playing in the general key of the tune.
For soloing, we could talk about a lot of theory but I don’t want to go there right now. Instead a very effective way to start soloing is to learn 2 to 4 bar phrases that you pick up from other solos. The easiest way to get started and to mimic what singers do in blues is to divide the 12 bar blues into 3 groups of 4 bars (measures). So play a 4 bar phrase, repeat the same basic phrase over the next 4 bars that fits the chords. Do a final similar phrase over the final 4 bars but make it sound more complete by say, landing on root notes (ie. Bb).
Here’s an example of a basic jazz blues solo. It is quite repetitious but we have to start simple. I’ve taken a little 4 note motif and repeated it, modifying it slightly to fit each chord. The final four bars stars out repeating the same idea but expands upon it a little taking into account the current chords. You’ll notice a lot of chord tones such as D over Bb7 (the major third), Db over Eb7 (the minor 7th), etc. So get to know your chord tones. Repeating melodic contours and rhythms is very effective but you don’t want to over do it.
Here’s the Jazz Blues Solo PDF.
Here’s the blues solo mp3 played by Guitar Pro 6.
Jazz Blues Solo.mp3
So to summarize, a very effective method to learn jazz soloing is to think in phrases, intelligently cut and paste them into solos, use repetition and development of the phrases, understand why the phrases work, create your own by modifying existing phrases.
I am building up some libraries of jazz blues phrases that I will make available so be sure to keep an eye out for those products in the future!