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	<title>Learn Guitar with Will Kriski &#187; Theory</title>
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		<title>Borrowed Chords (Secondary Dominant)</title>
		<link>http://willkriski.com/borrowed-chords-secondary-dominant/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=borrowed-chords-secondary-dominant</link>
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		<pubDate>Wed, 24 Feb 2010 15:54:08 +0000</pubDate>
		<dc:creator>Will Kriski</dc:creator>
				<category><![CDATA[Chords]]></category>
		<category><![CDATA[Theory]]></category>
		<category><![CDATA[borrowed chords]]></category>
		<category><![CDATA[secondary dominants]]></category>

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		<description><![CDATA[A nice introduction to borrowed chords even though it&#8217;s on a piano. Borrowed chords often refer to using chords from the relative minor key but it&#8217;s often used to indicate chords that aren&#8217;t in the current key. The main idea is to approach the G chord with it&#8217;s dominant chord (up a fifth interval) which [...]]]></description>
			<content:encoded><![CDATA[<p>A nice introduction to borrowed chords even though it&#8217;s on a piano. <img src='http://willkriski.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /><br />
Borrowed chords often refer to using chords from the relative minor key but it&#8217;s often used to indicate chords that aren&#8217;t in the current key. The main idea is to approach the G chord with it&#8217;s dominant chord (up a fifth interval) which is D7. This is known as a secondary dominant. Note the progression Am D7 G C follows the cycle of fifths!</p>
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